geekology 101

That day will come, when everybody is a number one.

One of the questions I often get asked is “who are the graphic designers you admire?” It’s quite a list actually so I hope you have time because I’m gonna take you through it right now.

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David Carson. He was the Nirvana and Pearl Jam of the visual movement in the 90s. His work on Raygun changed the way I looked at graphic design forever — now here was someone who came up with attention-grabbing work by tossing the rulebook out the window. If you’ve seen the Pillbox magazines and a lot of the local Pepsi ads in the 90s, you’ll see how heavy his influence was on the art director.1

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Neville Brody. Consistent use of loud colors, big and bold type, and striking graphic elements make his work distinct and memorable. It was also through studying his work that I learned the proper use of typography2 as a design element. His designs seem to have a life of their own, they leap out of the pages containing them, just like the designer himself — he didn’t stop at print and has branched out to motion and space design as well.3

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Saul Bass. This man is a legend, just take a look at the work he’s done — they include iconic posters and logos that have stood the test of time. The use of flat colors, blocky hand-lettered type, and simple shapes define his minimalist style. It’s most likely a testament to the limitations in printing during his time but I’ve always believed that when it comes to visual communication, the simpler and the more straight to the point, the better. Right? πŸ˜€

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Milton Glaser. You’ve seen his “I *heart* NY” logo a million times, but the body of work he’s produced speaks volumes about his range as a designer. I can’t say he has a particular style because when you look at his designs, they don’t look like they came from just one person. But the randomness is good in that it shows versatility. Of his work, I like the ones that have illustrations the most. His psychedelic, free-flowing drawings seem to take us back to a time when producing art actually meant freedom of expression (and didn’t involve deadlines).

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Locally, I have my design heroes as well and fortunately I’ve had a chance to work with them.

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Robert Alejandro. Sir Robert is best known for his whimsical and stylish artworks for Papemelroti and the Ayala Malls. He was my Figure Drawing and Advertising 101 teacher in 3rd year college4 at the UPCFA and he just blew everyone away with his art and out-of-the-box way of thinking. Ask anyone in my class and they’ll tell you that he was the one who inspired them to be (a) an advertising art director; (b) a children’s book illustrator; or (c) a graphic designer — all of which he was.5 How cosmic is it that we formed and now belong to the same design group?

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Raymond Legaspi. He’s not as publicly known as Robert but he’s a force to be reckoned with in the Direct Marketing world, having won a ton of awards locally and internationally. Mr. Ray was my very first boss — I had my OJT at J. Walter Thompson in 1991 and was assigned to be his trainee. A few years later, we worked in the same company, Ogilvy & Mather, as colleagues where he was certainly one of the few art-based Creative Directors I had huge respect for because he always stressed on the importance of a big idea in visual thinking, unlike some who focused primarily on execution.6 Incidentally, he retired from the corporate world just a few weeks ago to pursue his first love, painting.

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And of course,

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Arnold Arre. I know, I know, he’s my husband but to be honest, I’ve admired him and his work waaay before we even met. The first time I ever saw his paintings for Mythos, my mind just reeled at the detail he put into all of them — intricate brush and pen work, the stories behind them7 — the overall distinct style and theme of the entire exhibit was just so well thought of that I knew this guy was an intense and very passionate artist. The same goes for every piece of work he churns out, everything has a story. Everything has a reason. And isn’t that what good design should have? Reason. To matter.

  1. Oh wait a minute, that’s me hehe.[ back]
  2. My ultimate pet peeve: “designers” who stretch, squash and distort type. Ugh, I see it here all the time.[ back]
  3. By the way I have a copy of the Propaganda album, 1234, which is one of his earlier designs. I swear I’ll have it autographed someday.[ back]
  4. In 1990. That was the ONLY year he ever taught, lucky us.[ back]
  5. I guess I’m guilty on all three counts.[ back]
  6. I think the ultimate compliment was when he recommended that I be part of the Design Jury for last year’s Ad congress Araw Awards. I knew then that I’ve somehow earned his nod.[ back]
  7. Yes can you believe it? Ask him about a character in his painting and he’ll tell you the back story he thought up for it.[ back]
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Last year’s troubles are so old fashioned

Halloo, I’m back. This site was down again all weekend so I finally left Affordablehost, my home for five years, for the it – seems – to – me more reliable Axishost. You can read about — and possibly learn from — why I did so on this page.

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My Arn turned, umm, another year wiser last weekend! πŸ˜‰ How did we celebrate it? Why with food, food, and more food of course. See the phlog for more pics.

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I got him a dress watch and the first season of the 1970s series The Incredible Hulk on DVD and I’ve been watching along, which is a first since I usually get him DVDs for his birthdays1 but I don’t last long watching them. I didn’t think I’d actually get hooked on Hulk since I never got to watch it when I was young2 but it’s very engaging and the way it’s produced makes the situations look so real — bellbottoms, sideburns notwithstanding.

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Hanging out and spending time with good friends has become extremely difficult now that everyone’s always busy nowadays. Thankfully though, most of us were able to sync our schedules these past couple of weeks. Again, more pics in the phlog.

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Check it out, the great komikero himself, Gerry Alanguilan made a short video featuring an interview with Arn in time for his birthday, no less. Thanks “cousin” Gerry! πŸ˜‰

You can view — and learn from — all his videos here.

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By the way, for those of you looking to find extraordinary works to experience, I made a list of graphic novels that are big in heart — basically, stories that made me fall in love with the medium of graphic storytelling. These exemplify what I think has just the right mix of narrative and pretty pictures: not too artsy that the stories don’t make sense anymore, and not too wordy or high falutin that there’s no room to appreciate the story and illustrations. Let me know what you think. πŸ™‚

  1. Last year it was The Alien Quadrilogy, the other year it was Flash Gordon and Battlestar Galactica, and the year before it was the collector’s edition of 2001: A Space Odyssey.[ back]
  2. Wonder Woman and The Bionic Woman being whom I considered superheroes[ back]
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SIFF

SIFF
Illustration by guess who?

For Shei & Mike, Tin, Pazette and other Singapore-dwellers: The 19th Singapore International Film Festival’06 is happening in April 2006 and they’ve already launched their website, click. The schedules are not available on the site yet but the following films from the Philippines are slated to be screened: Laurice Guillen’s “Magdalena The Unholy Saint”, Dennis Marasigan’s “On the North Diversion Road”, Clodualdo del Mundo’s “Pepot Superstar”, Alfred Aloysius Adlawan’s “Roomboy”, John Torres’ “Todo Todo Teros”, Raya Martins’ short film about the Indio Nacional, plus a series of digital shorts by award-winning directors and screenwriters that include Pamela Miras, Joel Ruiz, Dennis E. Sebastian, Ruelo Lozendo, Sigrid Andrea Bernando and Roxlee.

By the way, if the illustration style looks family, that’s because it’s by my Arn! It’ll be on all the posters and collaterals- many thanks to Monra for hooking him up with the festival organizers. (:
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Whew, thank goodness my site is up again, kudos to the ever-reliable team at Affordablehost, my webhome for the past 5 years. In case you didn’t get to check today, this space had a big fat “suspended” sign because I wasn’t able to renew my account in time *sheepish grin*. Why? Because I neglected to inform them of my change of email addy *sheepish grin #2* so I didn’t get the warning messages… So anyway I’m back, hurrah (:

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I'm Cynthia Bauzon-Arre, a Filipino watercolor artist & graphic designer. I live in QC with my graphic novelist husband Arnold and our friendly marmalade tabby Abbas. This blog has been chronicling my life, likes, and loves since 2001. [ more ]

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