Posts Tagged "watercolor"

Shrink Plastic Workshop at Hey Kessy + Callalily’s 10th Anniversary Album

A photo posted by Cynthia Bauzon-Arre (@arncyn) on

I’m teaching my first ever workshop and it will be on Shrink Plastic Crafting! If you’d like to learn how to turn your doodles into wearable art in the form of necklace pendants, bracelet charms, pins, and earrings, I will show you how to do it and share some techniques and tricks I’ve learned along the way. It will be on November 21, Saturday, from 1-4pm at Hey Kessy (31 E. Abada, Katipunan).

The workshop fee already includes shrink plastic sheets and all other materials, design templates, a take-home zine, snacks and refreshments. (Additional shrink plastic sheets can be purchased from me at a discounted rate if you‚Äôre a participant. ūüôā )

See you there? Please go to to reserve your slot!



Callalily’s 5th album “Greetings from Callalily” was released last Friday, October 23, and I’m very happy to have been part of it! It’s been a while since I’ve designed a full-blown album because almost everyone prefers buying MP3s, right? But then this is Callalily — I heard that their albums’ sales can hit Platinum — so I wanted to design something that a fan would love to have in his/her possession. I’m happy with the end result and I can’t wait to share it with you. Please see the portfolio to see what we came up with. ūüôā

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“Greetings from Callalily” Illustrations & Album Design

Project: Callalily’s 10th Anniversary Album “Greetings From Callalily” Packaging Design
Tasks: Watercolor portraits, illustrations, art direction and graphic design
Date of publication: October 23, 2015
Client: Soupstar Entertainment

It was my first time to design a fully-illustrated album in 15 years (the last one was for Ely Buendia’s “Wanted Bedspacer” in 2000) so working on this was a treat. We had already agreed on a watercolor look — it was what made them get in touch with me in the first place — and when the guys told me that the title of the album was going to be “Greetings From Callalily,” I immediately thought of those retro “Greetings from Las Vegas” etc postcards. I suggested a rectangular envelope design containing actual postcards featuring portraits of the guys along with letters from them to their fans. We corresponded via many DMs on Instagram and I was so glad that they were all for it! (Side note: how convenient is it that everyone’s on social media now? Back in the day I had to go to midnight gigs to present my concepts. :D). Here’s a peek of the postcards with each band member’s personal note:

A photo posted by Cynthia Bauzon-Arre (@arncyn) on

For the back side of each card, I asked the guys to send me gut-wrenching lines from their respective songs so that I could make some typography art for them. All incorporating the calla lily flower. ūüėÄ

A photo posted by Cynthia Bauzon-Arre (@arncyn) on

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Watercolor Artwork for Callalily’s 10th Anniversary Concert + Album Art in-the-making

callalily band 10th year watercolor illustration

Delighted to present¬†my artwork for the band Callalily’s 10th Anniversary Concert (although some of you might have already seen this floating around on Instagram¬†ūüôā ). This is also my first time working with them and¬†I’m very touched that they chose to work with me on the occasion of their 10th year.

The guys are celebrating the milestone¬†with a special show¬†tomorrow July 28 at 12 Monkeys in Century City Mall in Makati,¬†8pm, where you’ll be able to avail of this limited edition t-shirt:

A photo posted by Kean Cipriano (@keanedward) on

I think only a hundred of these were printed so better go¬†early. Admission is free. ¬†ūüôā

AND! I suppose you’ve already guessed that I’m working on the art and packaging design of Callalily’s¬†2015 album. I can’t reveal specific details yet but you can follow the design process and development on my Instagram where I’ve been sharing sneak peeks via the hashtag #CynxCLcollab.

callalily band album art in the making

Bonus pic: my first meeting with the band members Kean, Aaron, Tatsi, Lemuel (partly hidden), +¬†Soupstar Entertainment head honcho Darwin Hernandez and Callalily’s road manager JR.

photo with callalily

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My watercolors, brushes, and other painting tools

Since I’ve been painting again almost everyday for months¬†now, I¬†thought I’d share my current favorite watercolors and¬†tools¬†with you as well as a few notes and photos about¬†how I’ve been using them. (See also:¬†My watercolors, brushes, and painting tools (Part 2)¬†and¬†My favorite watercolor papers¬†)

shinhan korean colors

1) ShinHan Korean Colors, which I wrote my first impressions about¬†previously.¬†These paints seem to work best¬†for the¬†“moody” illustrations¬†that I like to make. I love how¬†vivid the colors are and I think this is mainly due to the binder being refined gelatin¬†and not¬†gum arabic which is the traditional¬†binder¬†for Western watercolors. After¬†a bit of research and also through experience, ¬†I learned that¬†having¬†gelatin for¬†a pigment¬†binder results¬†in¬†a finish that’s more opaque than watercolors but¬†more translucent than gouache or poster colors. ¬†I’ve also tried adding a few drops of gum arabic to make them¬†more transparent but 99%¬†of the time I just use them as they are.

Best for: paintings with scenery and a lot of detail and background elements. Using more water allows me to achieve a watercolory effect, and layering on the colors produces a painterly look.
*Available locally at ArtWhale in sets and individual tubes

holbein watercolor swatches

2) Holbein¬†Watercolors. I’ve always been curious about this Japanese-made brand¬†so I purchased a few tubes last month, taking care to pick cooler colors as my ShinHan tubes were all warm tones. I’ve read that since the paints don’t have ox gall, they are richly pigmented and slow-moving. Like ShinHan, they’re also thicker than traditional Western watercolors but they can be thinned down with water for a transparent, muted finish. They¬†are beautiful,¬†creamy colors¬†although I haven’t used them much in my paintings — maybe due to¬†my color choices¬†since¬†so far I’ve only used them for flowers, save¬†for Jaune Brilliant no.2 which I’ve been using as a base for skin tones. I’m planning¬†to buy¬†warmer hues sometime in the future¬†since those are what I use more often anyway.

Best for: floral art,¬†thick color applications, and probably lettering and calligraphy where you’d like to preserve brush strokes because¬†the paints are formulated for classical Japanese-style painting¬†or Nihonga.
* Available locally at ArtWhale and Deovir Arts in sets and individual tubes

kuretake gansai tambi swatches

3) Kuretake Gansai Tambi 36-color set, which I¬†also wrote my first impressions about months ago. Having used it a lot more times now, I find that I always reach for this set when adding foliage and background elements to a painting because of the bright, beautiful colors and the vast color range — there’s almost no need to pre-mix specialty colors. I don’t use it as often for portraiture though because it takes me too much time to mix a skin¬†tone I’m happy with (2017 UPDATE — I used the set for the portrait demo below).

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I also like the addition of pearlescent colors which are handy for adding sheen to¬†some of the hues when necessary. The consistency of this paint is very creamy and they’re¬†slightly more opaque than usual, kind of like ShinHan and Holbein (which doesn’t surprise me, all of them being traditional Eastern / Asian watercolors).

Best for: drawing¬†food,¬†foliage, background elements, landscapes, still life paintings, also calligraphy, lettering and sumi-e painting which is what they were really intended for. Because of the variety of colors, there’s practically no need to mix.
* Not aware if this is already available here in the Philippines.  I bought mine in Amazon last March.

Van Gogh watercolor swatches

4) Van Gogh Watercolors 24-color set, which I also already reviewed here. This is the set that travels out of the house with me due to its portable design. I also use this a lot for people drawings and portraits because it has Naples Yellow Red which is a great base for skin tones. The paints are very transparent and highly pigmented, resulting in intense colors even when diluted with a lot of water. Overall I think this set has the most balanced variety of colors, making it a good traveling and journaling companion.

Best for: portraits, landscapes, food, people / journaling, traveling, urban sketching
* Available from Deovir Arts and Fully Booked in Greenbelt 5.

my watercolor brushes

Watercolor Brushes

From left to right:
1) Winsor & Newton Series 7 Kolinsky brush size 0
2) Winsor & Newton Series 7 Kolinsky brush size 3
3) Royal Talens Rembrandt Series 100 Pure Kolinsky size 6

These three are my “investment”¬†brushes and fortunately¬†I get a lot of use out of them, especially from the Rembrandt because of its size. Kolinsky sable brushes are known for their ability to hold paint (no need to keep reloading the brush) and retain¬†the pointed shape while you’re using them. I love how¬†springy¬†the¬†bristles¬†are¬†which makes¬†painting a breeze. No need to¬†worry about stray hairs producing uneven, streaky marks or¬†accidentally coloring outside outlines.

*Available from Amazon, Fully Booked GB5, and Deovir Arts

I really would rather buy synthetic hair brushes for ethical reasons so I also recommend the following:

4) Van Gogh GWVR Mini Yohitsu Visual brush size 3
5-7) Van Gogh  GWVR Yohitsu Visual brush sizes 2, 4, and 6
8-9) Van Gogh  GWVR Yohitsu Visual brush sizes 1/8 and 3/8

Before buying¬†the Kolinskys in April, I’ve been using the Van Gogh visual brushes. (These are actually Arnold‘s but he gave them to me when I started painting again. ūüôā ) The¬†brushes¬†are made of a mixture of synthetic hair (nylon) + ox hair and goat hair. I love these brushes too and still use them up to now. Paint load capacity is good¬†enough and, more importantly, the bristles hold the pointed shape well. I can’t achieve a super fine point with the #6 as well as with the Rembrandt #6 but they are great for general coloring and layering.

* Arnold got them from Sekaido in Shinjuku when we went a couple of years ago

10-12) Sterling Studio Golden Taklon brushes sizes round 5/0, flat 2, and angled 3/16

Given by Alessa Lanot of Life After Breakfast during the #LABWatercolorSwap. I don’t normally use brushes as tiny as these but the size 0/5 in particular made me a convert. Unlike other fine point brushes I’ve used before, I’m actually able to get a decent line out of this brush because the bristles are made of taklon, therefore it can hold more paint than other synthetic hairs. Because of this brush¬†now I cannot¬†stop adding detail to my works. ūüôā

My workhorse brushes

kolinsky and synthetic brush comparison

The brushes I use most often are¬†the Rembrandt Kolinsky #6, Van Gogh Yohitsu #6, Winsor & Newton Series 7 Kolinsky #3, Van Gogh #3, and Sterling Studio 5/0. I made this comparison chart (above) so you can also see how versatile round brushes are in that you can use them to draw¬†both fine lines and broad strokes. It’s also easy to see how “thirsty” Kolinsky brushes are compared to the synthetic ones — just look at that paint load.¬†Still, the Van Goghs are also able to make fine lines because of their ability to retain their shape which make them workhorses in my little studio.

A photo posted by Cynthia Bauzon-Arre (@arncyn) on

I actually also have a Holbein Water Brush and an old set of Koh-I-Noor Watercolor Pencils but I only use them when I’m out of the house. Both are available from Deovir.

paint palette

My final tool is¬†a Reeves Folding Plastic Palette which I ordered from Amazon along with the brushes. Because of my limited watercolor tube palette, I needed a surface¬†where I could pre-mix colors and keep them safe and usable. I haven’t changed anything¬†that you see here in 2 months which makes having a palette like this very economical since I get to save paint (and money).

* I bought this from Amazon but I’ve read that you can get similar ones locally from Craft Central.

As for watercolor paper, for archival drawings I use Arches and Hahnemuhle (my favorites though I only buy them in sheets, not in blocks. Those are way out of my budget.) and Canson Montval Torchon, For commercial (i.e. for scanning) work, I use a Canson Montval Aquarelle block or my small Daler-Rowney Aquafine sketch pad. I also recently used up a Potentate sketch pad that was given by Craft Carrot. For practice and tooling around, I use an inexpensive children’s watercolor pad from Saizen / Daiso and a Berkeley pad.

(Feb.12, 2016: I’ve updated this list in¬†Part 2 of this entry¬†and added a review of¬†my favorite watercolor papers)

I hope you guys found this useful. Please do share what your favorite materials are. ūüôā

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Various Watercolor Paintings (May to June 2015)

Watercolor illustrations of various subjects
Medium: watercolor on cold-ressed archival paper
May-June 2015

* available as art prints in my online store

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I'm Cynthia Bauzon-Arre, a Filipino watercolor artist & graphic designer. I live in QC with my talented graphic novelist husband Arnold and our friendly marmalade tabby Abbas. This blog has been chronicling my life, likes, and loves since 2001. [ more ]

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