Posts Tagged "watercolors"

My DIY Portable Watercolor Kit

DIY postable watercolor kit

My work space at home is still the most ideal location for painting but there are times when I need to work outside the house like when I do demos or live portraiture and also when I meet with friends for art dates so I DIY-ed a portable watercolor kit that comfortably allows me to bring my at-home work experience wherever I go. In case you’re in the process of making a watercolor travel or plein-air kit too, I’m sharing mine with you. 🙂

DIY watercolor travel kit

The actual kit is a red pouch that measures 11.5″ x 8.5″ that I purchased for P88 years ago in Daiso. I think it’s a travel accessory pouch but I’ve found it suitable for storing my painting materials especially since the mesh front pocket allows anything that might still be wet inside it to air dry even when already packed. The kit is sitting on a wooden book stand (bought from Fully Booked but it’s similar to this one) that I use as an easel when doing on-the-spot portraits. I have a portable table easel too, you’ll see it in use in this video, but it’s bigger and heavier so I only use it for outdoor events or when I hold workshops.

DIY watercolor plein air kit

The back of the pouch has two more pockets where I store watercolor journals, pads and paper towels. See just how sulit this P88 bag is? By the way, the Clester journal is from Sekaido in Tokyo (I also use the Albireo journal which is slightly cheaper) and the Bockingford pad is from ArtWhale.

What’s inside the bag:

  1. Brush stnad (given by my friend Jovan (@starshuffler). I believe she bought this in an art store n Hong Kong), Never leave your brushes submerged in water, guys. You can rest them on paper towels when not in use but I particularly like how this holder lets my brushes’ bristles dry while keeping their shape.
  2. A roll-up tool case I bought from crafter friend Nikki of Tweed & Twine. I like that this tool case has wide pockets so I can keep rulers and small pocket palettes in it too. Also, fabric = breathable!
  3. Flat water bottle from my Holbein Pro Compo II travel set – a kit I stopped using because it’s quite heavy and bulky. I transferred the paint from it into a folding palette.
  4. My husband‘s 20-year-old Schmincke watercolor palette (video of when I first discovered it here), resurrected for my personal use.  😛
  5. Collapsible water pail that I bought in Sekaido (Shinjuku main branch) last year.
  6.  Little tin container bought for P29 in Landmark. I have lots of these and I use them for storing extra paint pans or graphite sticks.

The usual art materials:

  1. Silver Black Velvet Brush #8, a gift from my cousin abroad, locally available from Craft Carrot. The bristles are synthetic and I like how I can make both fine lines and semi-thick washes with it.
  2. Artetje Canlon Pro 5/0 brush I bought in Sekaido. I think it’s meant for miniature work and I only use it for detail work if necessary.
  3. Escoda Aquario #12 Squirrel Mop from ArtWhale — my all-time favorite brush. It’s a great mop for laying down initial washes of transparent color and if I forget to bring my other brushes, the pointy end is awesome for sketchy detail work too.
  4. Escoda Reserva #8 Kolinsky Sable Brush, also from ArtWhale — my next favorite brush. It’s collapsible so it’s perfect for travel. It can hold a lot of paint and is great for laying down juicy strokes of color which supplements the initial base washes made by the Aquario. I have a video of the two brushes in action on my Youtube watercolor tutorial channel.
  5. Some of the paint in the original palette has dried up so I filled it with colors I actually use which is a combination of Shin Han, White Nights, and leftover Shcmincke pans. I alternate this palette with my other folding palettes (see photo below), depending on what I’ll be painting that day.
  6. Viarco ArtGraf Water-Soluble Tailor Shape Graphite Block in Sanguine and ArtGraf Graphite Stick, both from ArtWhale. These are awesome and dissolve unbelievably smooth with no obvious streaking, perfect for live figure drawing sessions.
  7. Selection of paper — usually Strathmore. Khadi and Bockingford from ArtWhale, Hahnemuhle from Deovir Arts, Fabriano from NBS, and Canson Montval or Arches from IFEX or NBS. See my old blog post comparing different watercolor papers and on my watercolor tools (part 1, part 2)

watercolor palettes

My alternate folding palettes. I love this kind of palette since they are light, inexpensive and they have ample space for mixing colors. The one on the left is the palette I use the most since I’m already accustomed to the paints in it. You can refer to this old post for the colors / brands it contains (though I replaced 3 or 4 of the colors since writing that post). The palette on the right contains Holbein paint from that I transferred from my Pro Compo II travel kit which, as mentioned above, is really too bulky for me to lug around.

And finally below is what the portable setup looks like when in use.

Also here 😀

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How about you? What’s in your portable watercolor kit? If you have blog posts about it please do share the links with me in the comments section. 🙂

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Pinoy Food Stickers, Awit Awards, and other Updates

If you’ve been checking my Instagram, it might seem that I have been making nothing but stickers…

Pinoy Food Stickers — Ulam, Panghimagas, Almusal, Kakanin, and Merienda

…which is partly true. The reason for this is I am mostly working offline to prepare for a major project I’m undertaking this year. Something very much-delayed in my life as an artist. 😛 Before I reveal details though, I would like to talk about my current batch of stickers. Pictured above is the Filipino Food Sticker Set which consists of my watercolor illustrations of common Pinoy food for almusal (longganisa, itlog na maalat, taho…), ulam (sinigang, bulalo, lechon kawali, adobo…), merienda (fishball, isaw, turon…), kakanin or native delicacies (bibingka, puto bumbong, sapin-sapin, palitaw…) and panghimagas or dessert (leche flan, halo-halo, sago’t gulaman…). It was a challenge to draw the ulam or Filipino dishes especially because our food is so brown and saucy! How to make them look appetizing, right? My solution was to choose food that had vegetables in them to add color, or if they’re just really brown, I placed them on a colored plate. 😀

If you’re interested in these stickers, they are available online at my shop and at Hey Kessy (UP Town Center) and Common Room (near Katipunan Ave cor. Dela Rosa St. QC).

Other designs available are the following: dreaming dogs, smartly-dressed cats, bread and cheese, sushi, girls & kitties, and coffee. Each one is die cut for easy peel-off and size ranges from .5″ to 2″ — perfect for your planners and journals, yes?

stickers philippines

These can be purchased online from my shop too. In-the-making / painting photos are on www.instagram.com/arncyn.

***

Other updates since the last time I wrote here:

1. My design for Callalily’s album “Greetings from Callalily” won at last yeat’s Awit Awards for Best Album Packaging. I was in Tokyo when the guys sent me a Viber message so I couldn’t attend the event but it was such a pleasant surprise because I completely forgot about the nomination hehe. It’s my sexond Awit Best Album Packaging Design Award — the first one was for the Eraserheads’ “Fruitcake” in 1997 — 20 years ago OMG. Who knew.

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2. I’ve been working on honing my figure drawing skills by attending WhoAreMaro Live Drawing Setup events. Aside from Arnold, I usually attend with my art date friends Arlene Sy and Kuki Ulpindo of ArtWhale which makes it fun and less nerve-wracking. 😀 Drawing from life is great exercise and WhoAreMaro’s setup is pretty cool. It’s just like the ones we had in school (UPCFA) where the model poses in 5, 10, and 15 minute increments but it’s more hip and millennial-y since they invite guest DJs to provide live background music and serve food & drinks at intermission. Here are drawings from the first one I attended:

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3. I’ve also had two on-the-spot-portrait sessions since 2017 rolled in — one was at the BGC Art Mart and the other one at Hey Kessy’s Valentine Pop-Up. Tin of Hey Kessy took a video while I was at work (below).

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4. I help my good friend and soul sis, fashion designer Tippi Ocampo with her blog every now and then. This time we changed her blog theme and updated her logo. Tippi has always had a hook and eye logo but she had an idea to use her initials “TO” as the hook & eye and I executed it in graphics for her. 🙂 Please visit her site for her updates — she is one of the most talented and insightful people I know. <3

A post shared by Tippi Ocampo (@tippiocampo) on

5. Have I mentioned that I have an online wedding invitation store (and moderately active wedding blog) called Poptastic Bride? I was very active about updating it from 20011-2014 until I got pulled into the arts & crafts scene. The blog is still up and I post updates and freebies (printables) every now and then. I also made an Instagram page for my invitation portfolio. 🙂 Below is one of my bestsellers:


That’s all for now. I promise to update more often this year!

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What Colors to Choose for a Minimalist Watercolor Palette + White Nights Review

Since White Nights (a.k.a. St. Petersburg) Watercolors from Russia became available here in Manila via Deovir, I’ve read a lot of reviews online and have even heard from art-friends that they are easy to re-wet and are highly pigmented. So, being low on EQ I decided to get a few pans for myself. You might already know that I’m not a fan of buying sets (though I have some but they’re either gifts and/or were purchased when I hadn’t the slightest clue about pigments and lightfastness) so I made sure to do my research before buying the paints. My self-imposed rules:

  1. I must be able to use the colors and their combinations in what I love to draw the most — faces, food, and felines (okay, animals in general :))
  2. The colors must consist of single pigments — this is to ensure lightfastness and also reduce the incidence of mud when layering.
  3. They have to fit into my handy DIY mint tin palette, meaning a maximum of 9 pans was in order.
  4. I can’t spend over P1,000.00 because do I really need another set of paints? Umm, no  (see previous post), but then need is sometimes < want. Fortunately White Nights, like ShinHan, isn’t as expensive as the other brands so I was able to stay below my limit.

White Nights Watercolors customized palette

So taking all that into account, here are the colors I ended up with along with their pigment info & light fastness ratings:
— 2 reds (1 cool, 1 warm): Madder Lake Red Light (PR 187 / LF ***) and Cadmium Red Light (PR 108 / LF ***)
— 1 warm yellow: Cadmium Yellow Medium (PY 35 / LF ***)
— 1 green: Emerald Green (PG7 / LF ***)
— 2 earth hues: Raw Sienna (PBr 7 / LF ***) and Burnt Sienna (PBr 7 / LF ***)
— 2 blues (1 warm, 1 cool): Ultramarine (PB29 / LF ***) and Prussian Blue (PB27 / LF ***)
— 1 neutral: Payne’s Grey (PBk7, PB15, PV3 / LF **)
[source]

The last one, Payne’s Grey is not a single-pigment color (it’s made up of 3 pigments) and is something I could’ve gone without since I can mix greys using some of the colors so it’s really just a handy “convenience hue” for days when I can’t be bothered to do extra mixing. 😀

Just to show you the range of colors that are possible using just these 9 pans, here are a couple of watercolor charts I made:

White Nights Watercolor Chart

This one (above) shows the range of color combinations and tonal ranges that can be achieved from mixing the brights with the darks. And just because I always paint portraits and people, I made a separate color chart mainly for the reds and yellows (below). I just added the column for green since there was extra space.

white nights watercolor chart skintones

Here’s something I painted using just the colors in the palette (you can view the work-in-progress video on my Instagram). I used them on Khadi Paper purchased a while back from ArtWhale.

white nights watercolor palette

My capsule review for White Nights Watercolors:
1. Indeed they are easy to re-wet, pick up with the brush and are highly pigmented (some colors more than others though)
2. They are also highly transparent — except for the Cadmiums which are opaque — so they are great for layering.
3. At only P87.00 per pan (except for the Cadmiums which are I think P120 / pan), they are quite affordable. My customized set amounted to around P849.00 and it consists of colors that I will actually use. (Sets usually have 3 or more pans that I always end up never using.) Also, these are FULL pans, not half pans, so you get a lot of paint for your hard-earned cash. 😛

And here is something else I painted using White Nights, a simple maguro sushi for my Youtube Channel (hah! If you’re one of my whopping 3 regular viewers, thank you for not laughing at my attempts to make these home videos <3)

Other observations:
1. ShinHan, Holbein, and Daniel Smith are still my favorites in terms of color intensity and flow but I’m happy to have this inexpensive set of vivid paints for drawings that will be scanned and for practice work. Van Gogh, my student-grade set that was a birthday gift from Arnold last year, is my other go-to for practice work but they are strangely more expensive than White Nights.
2. The pans remain moist for a while so I can’t close the lid of the tin until they dry completely because they might stick in the lid when I store them sideways.

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My Watercolor Palette + Live Portrait Session at Hey Kessy Photos

Choosing colors for a watercolor palette is tricky. I’m a little OC so up ’til a few weeks ago, my palettes were sorted by brand — one for ShinHan, one for Holbein, etc. The downside is that I had to lug both palettes around when I paint outdoors. Very impractical, especially since I acquired tubes from other brands (Daniel Smith & Sennelier) which meant I’ll have to add more palettes for each additional brand. Eek. To avoid that bothersome scenario, I devoted an afternoon to testing all the colors and hand-picking ones I’ll have the most use out of and then I combined those into a single palette. Thought I’d share it here since a lot of folks have been asking me about the paints I use. 🙂

watercolor palette

Since I paint mostly people with the occasional landscape or urban background, I decided on a rainbow spectrum of colors — their warm and cool iterations — plus a few neutrals. This way I’ll get to mix a large variety of the other hues I might need.

Top row, left to right: Cobalt Blue Light (Holbein), Marine Blue (Shin Han PWC), Viridian (Shin Han PWC), Hooker’s Green (Sennelier), Leaf Green (Holbein), Hansa Yellow Light (Daniel Smith), New Gamboge (Daniel Smith), Pyrrol Scarlet (Daniel Smith), Quinacridone Rose (Daniel Smith), Permanent Red (Shin Han PWC).
Bottom row, left to right: Vandyke Brown (ShinHan PWC), Helios Purple (Sennelier), Quinacridone Gold (Sennelier), Davy’s Grey (Holbein), Payne’s Grey (Holbein), Permanent Violet (Holbein), Mineral Violet (ShinHan PWC), French Ultramarine (Daniel Smith), and Pthalo Blue (Daniel Smith).  [info on where to shop these brands are below]

Below is an illustration I made using only the paints from this palette.

A photo posted by Cynthia Bauzon-Arre (@arncyn) on


(If you think the characters look familiar, that’s because they’re based on Augustus and Hazel from “The Fault in Our Stars.” I’m currently working on illustrations inspired by YA films, a wonderful idea suggested to me by talented artist & letterer Abbey Sy. So excited to make more. :D)

I’m very happy with this combination because it has everything I need — just look at the colors that can be mixed from this selection on the charts I placed beside the palette. If you’re looking into getting into watercolors and are panicking over what pricey set to buy, try determining the colors you need first and then purchase individual tubes & pans and make your own set 🙂

ShinHan PWC and Sennelier tubes are from ArtWhale (can be ordered online)
Daniel Smith tubes are from DE’s ArtRoom (they’re based in Cebu but you can also order online)
Holbein tubes are from Deovir Arts (SM North Edsa, Quezon City)

***
Last Saturday I had a live portrait session for Hey Kessy’s Father’s Day Celebration. When Dinny (of Hey Kessy) asked a few weeks ago if I ‘d be willing to do it, I hesitated but, as expected, dear husband said that I’ll never know that I can if I don’t try. I practiced using Arnold, random faces on Pinterest, and my cat (:D) as the models, grit my teeth and finally messaged back in the affirmative.

A photo posted by Cynthia Bauzon-Arre (@arncyn) on

I sat in the store for 3 hours, from 10 am to 1 pm and was able to draw three friendly faces.  I’m thinking that if I had chosen an afternoon schedule, there’d probably be more walk-ins but I was thankful for the relaxed pace.

live portraits by cynthia bauzon arre

Each portrait took about 20-30 minutes to make. I was worried about not capturing resemblance exactly but I relaxed once I set my mind that given the setup, all I could do were caricatures at the most…

live portraits cynthia bauzon arre

On hindsight, I’m glad I accepted the gig because painting from life with the models actually knowing that I’m painting them — as opposed to sneakily painting people in a coffee shop — is a great experience. We had to do it for art class in college but the subjects were either classmates or hired models. This time, my subjects really had the intention of having me draw them, which gave me a boost of confidence. Save for Danry who I already know from comic-related events, I got to know really nice people beyond just “hi’s and hello’s” and that was wonderful.

***

Speaking of Hey Kessy, I have a Shrink Art Workshop there on July 2! I resurrected my Youtube Channel and made a How-to Make-Shrink-Art video so you’ll have a taste of what we’ll be doing there,

Please sign up via this form if you’d like to learn how to make shrink art out of your doodles too! Class fee is P1500, inclusive of materials and light snacks.
*More details here.

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Illustrating Recipes in Watercolor Workshop at Prism Gallery

Hey guys! I’m having a watercolor food illustration workshop at Prism Gallery in Makati on April 30 from 9am-12nn. Class fee, inclusive of materials and yummy snacks and food props (c/0 Chili Asylum!) is P2500.00.

This class is perfect for those of you who want to preserve or chronicle your favorite recipes in a fun way in your journals and sketchbooks.
watercolor food illustration workshop

If you’ve been checking my IG, haha yes all those tomato drawings were in preparation for this class! Prism Gallery’s Gold Tantoco asked me to hold a workshop there as far back as August of last year, but I already had classes lined up (and I can only handle one workshop every 2-3 months :P) so this actually took several months to plan. I’m glad it’s finally happening. 🙂

At first I couldn’t think of a theme (aside from portraits) to teach… and then the project with Chili Asylum popped up last January. That brought about the idea of a food illustration class with a twist and since I love Chili Asylum products, it was only fitting that they would be providing the snacks. (Thank you, Isi!)

The class is open to learners with basic skills in drawing and painting in watercolors. Don’t worry though if you haven’t painted in a while — we will review color theory and some general techniques in watercolor painting such as the wet-on-wet and wet-on-dry methods, among others.

watercolor food

Workshop kits will include a watercolor set, brushes, watercolor paper, a fineliner + a pencil and an eraser.

To sign up, please call Prism at 886-3947 or e-mail prismgalleryph@gmail.com (kindly put APRIL WORKSHOPS on the subject line.)

Hope to see you there!

 

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I'm Cynthia Bauzon-Arre, a Filipino watercolor artist & graphic designer. I live in QC with my talented graphic novelist husband Arnold and our friendly marmalade tabby Abbas. This blog has been chronicling my life, likes, and loves since 2001. [ more ]

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