Hey guys, just a quick update to let you know that some of my artworks can now be purchased on art prints, t-shirts, tote bags, some household items, etc via Redbubble. They’ll also be available locally sometime within the month — I just need to get them to my printer. 🙂
First of all, happy new year! I hope your 2015 is off to a great start, yes? As for mine, well I post on Instagram almost everyday so you can have a look-see there if you’d like to know what I’ve been doing since I last wrote. 🙂
I’ve also been working on client-commissioned cartoon portraits for my wedding site over the holidays but I haven’t had the chance to post any of the newer stuff yet. In the meantime you can see what I’ve already done here.
While I’m waiting for a new batch of rubber carving blocks to arrive, I’ve been practicing figure drawing with colored pencils. I confess that I have a hard time drawing males –they always end up looking girly1. Witness Exhibit A.
I made this sketch today, an homage to the Japanese movie “Hidamari no Kanojo” which stars my favorite Juri Ueno (awesome actress) and delicate-faced Jun Matsumoto2. I’m a sucker for chick flicks, even at my age *blush*, and this warm & fuzzy scene at the train station was one of my favorites in the film. Can’t say I liked the ending though, but that’s another story. If you haven’t seen it yet, here’s a link to the trailer. While working on this drawing, I thought of looking for old artworks I made back in college just to see how much my style has evolved. Thankfully, I remembered that they were in my old online portfolio which means I didn’t have to look too far. 🙂
“Fence” (1990) — Seeing this again today, I can now say that I was a bonafide mushball *bow* — I blame the many Sweet Dreams books I read as a teen. On another note, I’m amazed that I was able to draw the girl’s expression so well! I was 18 when I drew this and I haven’t experienced real love yet #chos. Kilig moments? Probably. I clearly remember making sure that the chain holding the gate together forms a heart, haha. I’ll try scanning the painting again so you can see it in detail.
“Pool Hall” (1991) – See, even with this painting there’s romance brewing between characters. In my teen-aged mind, the girl on the right and the tall guy in red are dating… but his friend, the guy in green likes the girl and she seems to like him back. Tall trophy boyfriend, meanwhile, is oblivious to the sparks between the two and is only concerned about maintaining his billiards champion title. The two guys on the left… well they’re the only ones without love problems tee hee. 🙂 Again, I’m amazed that I was able to tell a story through one painting. Also, I have no patience to paint in watercolor with that kind of attention to detail anymore. Maybe I should title this post “DEvolution of my drawing style” instead, lol.
“Hitching a Ride on Santa’s Sleigh” (1996) — And then came the E-heads’ “Fruitcake” book project while I was in the middle of an advertising career. From this point on, it seems I started drawing people in a more cartoony fashion. I also don’t recall why I chose to do these illustrations in black and white. Printing cost concerns, most likely.
Artworks for my old online store “The Paper Basket” (2008) – Looking at this again now, I know I could’ve done this series so much better. I think my freehand drawing downfall started after I got dependent on the computer from 1993 onwards. I would still draw outlines by hand but coloring by computer was so much quicker. That, and I think I lost confidence in my illustrating self after being on the computer for so long…
Artwork for an auction (2009) – I was challenged to explore painting and drawing by hand again when I started getting invited to participate in exhibits and auctions. It was refreshing to actually dab paints to paper and “touch” my drawings after just seeing them on the screen.
“Dreamtangle” (2010) – By this time I was already comfortable drawing and doodling again. Sometimes I would combine hand-drawn inks with digital paint, but now after much trial and error I’ve learned to just leave the pen and ink art alone as they are. K.I.S.S. and all that. The bare-bones black and white version of this drawing is on RedBubble.
Just to cap off this post, let me show you another colored pencil practice sketch. This is from the other day.
Figure drawing practice with #coloredpencils before cooking dinner ???? Somehow I always end up using just these four colors. #art #artph A photo posted by Cynthia Bauzon-Arre (@arncyn) on
After seeing all my old stuff, I’m glad that the attention to detail (folds in the clothes, etc) that was present before is back. However there’s still much to learn and new techniques to experiment with so we shouldn’t stop evolving. As Arnold keeps telling me, “gawa lang ng gawa” — and he has every right to dish out that advice as you can see on his site how much his art has evolved and developed through the years. Laterz!
In a previous post I mentioned that I’ve been self-studying Nihongo for the past four years. No reason in particular, I just wanted to exercise a part my brain that’s been dormant since, er, graduating from school? And I thought learning the language would be perfect since I grew up loving Japanese culture anyway.
I didn’t want to stress over it though so I’ve been trying out a “semi-passive” approach. The only “active” part was purposely memorizing the alphabets — hiragana, katakana, and levels 4 and 3 of kanji, some important nouns, verbs, participles… and that was it. The rest I am learning through immersion. Since 2010 my senses have been surrounded by TV shows, movies and music, all in Japanese. It’s working… I think.
Regardless of whether my method is effective or not, I was able to discover some wonderful J-pop music and artists and today I’ll be talking about them. Esquire Philippines actually invited me to share what I’m listening to in this month’s issue…
but because magazines can’t play music, I’m listing them down along with videos so you can listen to the songs too. 🙂
Moumoon – “No Night Land”
Moumoon is a Japanese indie music duo and they play the cutest synth pop which I would describe as “bubblegum with an edge”. I love all their albums so far but judging from the number of ratings stars in my iTunes, “No Night Land” contains the most tracks that I like. If I were to pick one song for you to listen to first, it would be “Bon Appetit.”1
Suemitsu & the Suemith – “Man Here Plays Mean Piano”
I think of Suemitsu-san as Japan’s Ben Folds. I would describe his music as melodic piano/synth-backed power pop and like the title says, he really does play mean piano. All his albums are worth listening to but this one has “Basketball Game Crush” which is mine (and Arnold’s) absolute fave.
Edit: Ok, I can’t find a video of BGC huhu so please listen to “Allegro Cantabile2,” another of my favorites, instead.
Sakamoto Shintaro – “”Matomo Ga Wakaranai”
The title track, “Matomo Ga Wakaranai (“I Don’t Know What is Normal”) was in the soundtrack of one of my favorite Japanese dramas last year called “Mahoro Ekimae Bangaichi” (starring Eita and Matsuda Ryuhei) and after hearing it the first time, I just had to get the whole album. It’s got a laid-back funky vibe that makes me think of summer afternoons spent mindlessly browsing through secondhand records in Cubao X (or some such place). The rest of the album has a similar lazy, melancholic mood.
Shiina Ringo — “Ariamaru Tomi”
I love Shiina Ringo, her distinct voice, and her music’s unpredictable (but always beautiful) melodies. I don’t know what album this song, “Ariamaru Tomi: is from but I first heard it in the J-drama “Smile” (which, incidentally is about a half-Filipino — played by MatsuJun — trying to survive in the midst of prejudice in Japan).
Arashi — The Digitalian
Okay, confession. I listen to Johnny’s Entertainment idols too. Before you dismiss these boybands as merely eye candy, trust me when I say that there are some quality music to be found from the 30-year-old (and older) guy groups like Kanjani8, Tokio, Smap, and Arashi. On our recent Japan trip I happened upon Arashi’s latest album so I gave it a listen and loved this song immediately — “Wonderful.”
?More next time!
Do you listen to J-pop too? What or who are your favorites?
When I posted some of my eraser stamps on Instagram, some crafty friends were surprised to learn that the X-Acto Knife is all I’ve been using for carving1. It seems that most rubber stamp crafters — and I’ve noticed this on a lot of web tutorials I’ve read and watched — prefer to use lino cutters, more specifically, the Speedball Linoleum Cutter set which I want myself. That set contains a thin, V-shaped blade that looks especially useful for gouging out narrow “canals” between outlines — a pain to attempt with the straight-edged X-acto blade.
See what I mean? (via Lime Green News)
As mentioned previously, I’ve already ordered the set but while waiting I had to train myself to carve using the humble, easily available, and familiar2 pointy blade. Drama aside, if you want to start carving and like me, a craft knife is all you have, I will now share the process with you. I’ll even start from the very beginning — a very good place to start. *cue Julie Andrews*
** I’m by no means an expert at this. I just want to share what works for me so far. 🙂
– a 2B lead pencil
– tracing paper
– a rubber eraser
– an X-Acto knife
– an ink pad
– blu tack (optional)
1. Plan out the image you want to carve. Shade-in the areas to keep solid to guide you when you carve later. These doodles are “parols” or Filipino Christmas lanterns and I plan to use these on homemade gift tags.
2. Trace your “master” illustration onto tracing paper with a 2B lead pencil.
3. Place the tracing paper on top of your eraser or carving block, penciled side down. Rub on it with something firm like a pen’s bottom or a bone folder to transfer a mirror image of your sketch.
4. Totally optional but if I’m not using a two-tone carving block, I like tinting my surface lightly with some color. This is so I can easily see which areas have already been carved. Just dab a piece of tissue paper into your ink pad then pat it onto your eraser / carving block, just gently enough to tint it with color.
5. Start outlining your image with the X-Acto blade at a 30-45 degree angle << — very important. Remember to slice lightly because if you insert the knife too deep, it will be difficult to maneuver the blade which will result in tugging and therefore risking (a) ruining your stamp, and (b) piercing the finger you’re holding the stamp with. (Unfortunately for me I encountered all of the above on a couple of my initial carving attempts).
6. After you’ve outlined an area, lift the blade and turn the eraser around. Again with the blade inserted on a 30-45 degree angle, carve a curved line a short distance away from the outline you made towards the opposite direction from where you made the cut earlier. Try to “meet” the already-sliced areas with your blade’s tip, you’ll see that areas will begin peeling off. This is my favorite part. 🙂 (Gosh I hope that made sense. Please see photo above for reference.)
7. Soon your stamp will look like this. See how all my cuts are angled?
8. Completely optional again but if you have some Blu Tack (mine’s about 15-years old and it still works and lol it’s not blue) lying around, you can use that to remove pencil marks as well as stubborn little bits of eraser stuck inside crevices.
9. Trim your stamp using a box cutter. Trimming it to size will help in stamp positioning later on.
10. Make a test print. This will allow you to see which areas still need fixing. It doesn’t really need to be perfect though — part of a rubber stamp’s charm is its rough handmade quality. (Such a good excuse, ‘no? 🙂 )
11. And here are the finished stamps. 🙂
If my instructions — especially in #6 — weren’t clear to you, watch this demo by the amazing Tsukui Tomoko. She uses both a box cutter (!) and a V-gouge in the video but the box cutter method at the beginning of the video is what I’ve been doing with the X-Acto knife.
Did this help you somehow? If you have other carving tips or techniques, I’d love to hear all about them!
What I’m working on right now…
… is a continuation of the update I posted on Instagram last night.1 I made these jeepney, tricycle, and pedicab doodles 2 a week ago and thought of printing them on the Gocco… until I realized that I didn’t have enough screens.*headdesk* But as explained in the previous post, this is what led to my interest in rubberstamping in the first place which just proves that necessity is the mother of
inven innovation (and crazy new obssessions).
On the home front, Arn is happy that I’m spending evenings being artistic — not just vegging out in front of the TV watching J-dramas (Teehee. Now you know. ) So now I’m either carving or doodling while my iTunes blasts out J-pop. Same difference. 🙂 I’ve actually been semi-passively studying Nihongo since 2011 but I’ll reserve that story for another time…
Before I went off-tangent, I was gonna say that Arn and I have been talking about what sparked this sudden desire to create with my hands.After some thought, I had the answer: Design Festa!!!
This cheezy photo below was taken at the Design Festa Gallery in Harajuku, Tokyo in 2006. (Whattapose *cringe*)
(More photos — and cheezy poses — in my old Flickr gallery)
That was the first time I heard of it. Since then I’ve been wanting to attend the actual festival but our timing was always off. When we planned our trip for this year, I made sure to check the schedule. They usually hold it in May and November. We chose to go in the fall because Tokyo would be just as hot as Manila if we went in the summer.
So here I am all giddy, holding our pre-bought tickets which we purchased at the HQ in Harajuku (the same place in the 2006 photo I posted above). We actually arrived at Tokyo Big Sight 30 minutes before it opened.
This is not even half of the crowd that was there bright and early. See how behaved and properly-queued up everyone was though.
Inside, the place was bursting with kawaii, I didn’t know where to start!
I went bananas over all the cute stuff and even had photos taken with the very friendly and talented artists who were only too happy to indulge our whims.
Arnold, meanwhile, enjoyed taking photos and videos of the kids who were painting on the scene.
We originally planned to stay until around 4pm so that we could go somewhere else afterwards but we ended up leaving at 8pm, closing time, because there was so much to feast our senses on. Indie bands were playing outside. Strange short films were showing upstairs. A diverse selection of food carts dotted the place. At the end of the day my tote was filled with handmade puraban brooches, plushies and some stationery. Arn bought several art cards and indie comics. Ironically, I didn’t notice any keshigomu hanko (hand-carved erasers) although I’m positive there was a whole section devoted to it…
There are more photos in this Google album.
Hope you enjoyed this post and hopefully I’ll have finished prints to show in my next post! 🙂